Evil used to at least try to be subtle. It tried to hide away a bit. In the dark. In specific places. At specific times.

No longer. Satan and his legions of minions and ministers are now boldly flaunting themselves. Worldwide. In every place at any time.

Now, Paris Fashion Week has always been a joke for 99.9% of the folks alive on planet earth but there was a time when not many women would wear the frocks, they couldn’t afford the frocks, but at least the clothing resembed, well, clothes that a human woman could wear, would wear if she liked the style and had the means.

Haute couture meant something once.

Here are some examples from the 1966 Paris Fashion Week, only 60 years ago, pieces on display. I realize that to some folks 60 years seems like a millennium, ages, such a long time, but 60 years is nothing in the timeline of history.

Okay, it was the 60s, after all. Too far back for you?

Okay, how about what was on the runways of the 1996 Paris Fashion Week? Only 30 years ago? What is considered by many as one generation.

Haute couture meant something once.

No longer. As you’ll see when reading and viewing photos in the article below.

What does what current so-called clothing designers in Europe have to do with Jesus, the Holy Bible, faith, what’s going on in the world?

Quite a lot, actually.

For the TRUE heart and mind, the TRUE spirit of man and woman is being revealed in such a time as this.

It’s all a part of the Satanic, the demonic reach, touch, and grasp into everything. EVERYTHING. From clothing to what is taking place in so-called churches by so-called pastors, worship leaders, and congregations. Within government, in schools, in corporations — in EVERYTHING.

The boldness, the arrogance, the brazenness of evil.

On full display.

In the increasing lawlessness, the growing daily delusion, all the lies, along with all the apathy and pretending nothing much has changed. What’s the big deal?

People are always demanding signs. Yet when there are signs all around them, daily, they ignore them, deny them, refuse to acknowledge them.

Well, folks, when the LORD returns in the clouds, first to gather His own to Him and remove every true faithful obedient disciple of His, and the Restrainer — the Holy Spirit — then steps aside and permits Satan, the evil within the nature of the people remaining to be unleashed, or if you’re young enough, strong enough, and the LORD tarries in your unbelief, and you somehow manage to survive The Great Tribulation, a time unlike any ever known on earth it will be so horrible — beyond the comprehension, the imaginaiton of most folks — should you live long enough, and suvive that, when Jesus is seen by every eye that remains living on earth coming in the clouds, with all the saints and heavenly hosts — THAT sign will be a little too late.

Don’t like this? Don’t agree? Don’t believe? Think you’ve got it all figured out, have a plan? Well, you know what is said about the best laid plans, don’t you?

TODAY is THE DAY OF SALVATION.

None of us may have a tomorrow.

Eternity is quite a long time. So I’ve heard and believe. Quite a long time.

Do you really want to spend it in the company of the devil and those condemned to burn in the lake of fire within an unquenchable fire? It isn’t going to be a big, long, never-ending party, as mentioned by fools and utter idiots laughing things off.

The most serious decision any person can ever make is: what are you going to do about Jesus? What are you going to do about Jesus?

The answer to that will determine one of two places you spend eternity.

Find a place to pray. Speak to the LORD. Speak to the LORD Who did what He did for you in the hope that one day you’d finally hear Him, see Him for Who He is and why He did what He did, and does for you.

Such love and sacrifice have never been known on all the earth.

Reject that love and sacrifice, and, oh my! Why would you do such a thing!?

Do you want to burn in hell forever and forever and forever? Contrary to what Kirk Cameron and many other lost souls now profess. Hell is eternal torment. For the eternal rejection of the LORD Jesus Christ.

It’s called justice. And it is.

Not one breath, not one heartbeat, not one dollar, not one kiss, not one meal, not one article of clothing, not one tree, not one glass of water — NOTHING would be possible without God making it possible.

For me, for you, for everyone.

So, what are you going to do about Jesus?

Or, are you booking a flight to Paris to see what the 2027 Paris Fashion Week has in store?

Better to get a hold of THE BOOK authored by God the Father, Jesus the LORD, and the Holy Spirit and see what They have in store for those who turn to Them in belief, faith, and obedience, and for those who continue to rebel and always will.

Read on…

Ken Pullen, Wednesday, March 11th, 2026

Satan struts at Paris Fashion Week — here are the 3 most demonic designers

High fashion is now an altar for satanic worship

March 11, 2026

By Hailee Boyd

Reprinted from Blaze Media

At first I thought I was watching scenes from a horror movie.

While I take great pains to keep my algorithm centered on funny cats and clean-eating recipes, a disturbing coming attraction somehow managed to worm its way through.

How else to explain these gaunt, dead-eyed figures shambling down a barren path, as enraptured throngs gazed at them from the shadows below?

Just as I was about to check IMDb for a new adaptation of Dante’s “Inferno,” it dawned on me: This hell was no nightmarish Hollywood vision, but something far worse: Paris Fashion Week.

Diabolical by design

Fashion has always been about self-expression, but in 2026, the identities to be expressed are apparently satanic affiliations and allegiance to darkness. We’ve seen similar stunts in the music industry, as many popular artists infuse witchcraft, occultism, and demonic imagery into concerts and music videos less concerned with entertaining than mounting grandiose spectacles of diabolical pageantry.

Like their pop peers, some of today’s most acclaimed designers don’t even attempt to mask their affinities for the infernal, regardless of what revolting headlines dominate our news feeds. The battle for the soul of the culture marches on — straight down the catwalk.

With that, let us gawk at this year’s most harrowing collections, progressing from haunting to pure devilry.

3. Noir Kei Ninomiya

The bronze medal for the most hell-worthy collection goes to Japanese women’s wear label Noir Kei Ninomiya, founded in 2012 by designer Kei Ninomiya.

Lovingly described by Vogue Runway as “gloom” made “tangible,” Ninomiya’s 2026 collection is celebrated for its darkly poetic, gothic romance feel. Even the soundtrack is praised for being “the aural equivalent of a nervous breakdown.”

Vogue must be drinking the same Kool-Aid as the film critics calling Emerald Fennell’s blasphemous “Wuthering Heights” adaptation a romance. No amount of tulle or lace can hide either’s attempt to glamorize madness.

Peter White/Stephane de Sakutin | Getty Images

Peter White/Stephane de Sakutin | Getty Images

Fashion authorities will call Ninomiya’s work sculpturally layered, ethereal, and avant-garde. But those who have been spared the curse of elitism will see it as it truly is: bondage, animalistic horror, and a disturbing fascination with morbidity.

2. Enfants Riches Déprimés

Silver goes to Henri Alexander Levy, whose brand Enfants Riches Déprimés opened its show by parading none other than the Antichrist Superstar himself — the self-described “god of f**k” — Marilyn Manson down a fittingly icy runway. If the collection’s dark, underground aesthetic didn’t already make the designer’s sensibilities clear, Manson — the Bible-burning, crucifixion-simulating shock rocker — opening the show in full gothic makeup surely did.

But if that wasn’t convincing enough, the performance also included a nearly nude model bound and chained to an obsidian statue of a man’s head in a theatrical exaltation of bondage, captivity, and ritualistic sacrifice.

Antoine Flament/Getty Images

Peter White / Getty Images

Many fashion designers inanely describe their work as anti-elite or anti-capitalist, but not Levy. He smugly embraces privilege. “No pieces are alike and everything is limited. I have no interest in making affordable pieces for the masses,” he once told the Guardian.

And yet, Enfants Riches Déprimés directly translates to “Depressed Rich Kids,” which was apparently inspired by the “absurd entitlement” of the child elites Levy met in rehab as an adolescent.

A luxury brand that mocks luxury? I’m not buying it. Perhaps a strange loophole to justify one’s perverse proclivities, which apparently include a cashmere noose. “If you were going to kill yourself, wouldn’t you want to do it with a $7,000 cashmere noose?” the self-described nihilistic designer once said.

Suddenly his partnership with Manson makes sense.

1. Matières Fécales

But the gold medal for this year’s most grotesque collection inarguably goes to Matières Fécales — a provocative Paris-based fashion label founded in 2025 by Canadian duo Hannah Rose Dalton and Steven Raj Bhaskaran.

Matières Fécales translates to “Fecal Matter,” which was the brand’s original name before the designers translated it into the French language to be more “glamorous.”

I’ve cocked my head, squinted my eyes, and abandoned everything I know about aesthetics. If any glamour is to be found in the clothing itself, it is certainly eclipsed by deliberate morbidity, but assess the amalgamation of body horror prosthetics, vampiric ensembles, and bloodstained opulence for yourself.

Victor Virgile/Getty Images

Victor Virgile/Getty Images

The designers behind Matières Fécales claim this collection, which they dubbed “the One Percent,” is a sharp satirical criticism of elite wealth, power corruption, and inequality.

“This story of power comes to an end, and as we have seen in history time after time, too much power can eclipse our humanity. Perhaps that’s why we aren’t born gods,” the ghoulish duo wrote in their show notes.

We’ve heard similar justifications from many an elite “artist.” They insist their macabre spectacles are merely critiques of the very darkness they put on display. But it is a farce. No serious person publicly condemns his own coterie.

The show itself featured a ritualistic procession of distorted elite caricatures and models in black, hooded robes in a cult-like circular formation. That is hardly the work of detached satire.

Matières Fécales is both a celebration of and an attempt to normalize objective evil. Like Sam Smith’s devil-horned “Unholy” ritual at the 2023 Grammys and Lil Nas X’s lap dance with Satan in “Montero” — both justified as artistic expression and symbolic critique — “the One Percent” is a smirking confession of demonic allegiance packaged as an avant-garde display of irony.

RELATED: Sabrina Carpenter: Another Disney darling gone to the devil?

Mitch Haaseth/Kevin Mazur/Getty Images

The devil wears couture

Romanticizing darkness — particularly in high-fashion society — can seem of little consequence to normal folk. The bizarre appetites of the fashion elite rarely spill over into our mundane world.

And yet, there is a price to pay any time something pure — in this case, beauty and creativity — is tainted with darkness. The nature of evil is to beget more of itself. Darkness cannot respect the boundaries of a runway. It must slither its way elsewhere.

Some of you may recall the Balenciaga scandal of 2022. The high-fashion brand known for oversize silhouettes and its former campaigns with Ye (formerly known as Kanye West) found itself in scalding water for two of its holiday advertisements.

One campaign included young children posing with teddy bear handbags featuring bondage-style leather harnesses, spiked collars, and other BDSM-inspired accessories — an unapologetic participation in the epidemic of sexualizing children.

The second campaign only deepened the controversy. Handbags were staged on desks beside printed documents that included excerpts from the 2008 U.S. Supreme Court case United States v. Williams, which addressed the constitutionality of laws prohibiting the solicitation and distribution of child pornography.

Balenciaga didn’t start out facilitating the sexualization of children, but compromise by compromise, it eventually landed there. Embrace darkness, even a little bit, and it will eventually consume you, and then you will consume others. This has been the pattern since the garden, the serpent, and the apple.

Luciferian roots

The fashion world has long tolerated evil — especially if it serves its purpose. Chanel founder Coco Chanel collaborated with the Nazis. Many “luxury” brands come to life in sweatshops — some through the small hands of child laborers.

Every year, models starve themselves, sometimes with fatal consequences, only to be a glorified mannequin for a designer who cares only about how far their cheekbones jut out. Parents rent out their children to modeling agencies, knowing full well the risks to their physical and psychological well-being.

Few can deny the avarice, vanity, and lust at the heart of the fashion industry. But how many can admit that what skulked down Paris’ runways this season was even darker than those deadly sins? It is the worship of that which is hideous, perverted, and disturbing to the intact human soul.

The illicit marriage of beauty and darkness has Luciferian roots. We cannot forget that the most beautiful angel became the great eater of souls.

When these designers promenade their dark creations down the runway, they are telling us with whom they are aligned. They may not even know to whom they bow, just as many satanists deny the existence of Satan. It makes no difference in the end.

But I’m almost grateful for these infernal collections. Let what has long festered on the inside of the elite world manifest itself externally on runways — or stages or screens or red carpets or wherever there are eyes to see. Permit the masses to behold what binds the hearts of the fashion, art, entertainment, and political worlds together. If the spiritual horror becomes tangible, perhaps they will then choose the light.